{"id":48306,"date":"2021-09-14T15:17:41","date_gmt":"2021-09-14T05:17:41","guid":{"rendered":"http:\/\/bilbo.economicoutlook.net\/blog\/?p=48306"},"modified":"2021-09-14T15:17:41","modified_gmt":"2021-09-14T05:17:41","slug":"travelling-music","status":"publish","type":"post","link":"https:\/\/billmitchell.org\/blog\/?p=48306","title":{"rendered":"Travelling music"},"content":{"rendered":"<p>\t\t\t\tThe Covid situation in Australia has deteriorated in recent months after the conservative NSW government allowed it to spread (after a lax approach to quarantine &#8211; privatising the service). For the last 9 weeks or so I have been stuck in another state, away from home, and wondering when I could get back across the border again. Well yesterday I finally acquired a travel permit to cross the border between NSW and Victoria and 10 hours later (by car) I am now back at home. So I am catching up on things this afternoon (with two computer monitors &#8211; yeah) and there will be no formal blog post. But there is some music. Back tomorrow.<br \/>\n<!--more--><\/p>\n<h2>Music &#8211; for travelling<\/h2>\n<p>Sometimes you need to really concentrate on a new album and play it several times to appreciate the nuances and subtlety of the performance by the artist(s) and the mastering by the producer.<\/p>\n<p>So a long road trip, when no-one else is in the vehicle and volume can be adjusted to suit the single taste (loud in this case), is a pretty good platform for accomplishing that aim.<\/p>\n<p>Just such an album is &#8211; <a href=\"https:\/\/www.maxrichtermusic.com\/albums\/voices\/\">Voices<\/a> &#8211; by the post minimalist composer &#8211; <a href=\"https:\/\/www.google.com\/url?sa=t&#038;rct=j&#038;q=&#038;esrc=s&#038;source=web&#038;cd=&#038;cad=rja&#038;uact=8&#038;ved=2ahUKEwjH_bL91f3yAhW8xzgGHfuCCCEQFnoECAQQAQ&#038;url=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FMax_Richter&#038;usg=AOvVaw2u2H3fWGn2MDSWjCcWHCFk\">Max Richter<\/a>.<\/p>\n<p>It was released last year (July 31, 2020) and was &#8220;inspired by the Universal Declaration of Human Rights&#8221;.<\/p>\n<p>This article (June 25, 2020) &#8211; <a href=\"https:\/\/www.udiscovermusic.com\/classical-news\/max-richter-voices\/#:~:text=Over%20a%20decade%20after%20its,music%20video,%20was%20released%20today\">Max Richter Announces New Album \u2018Voices\u2019<\/a> &#8211; provides some background about how the readings were organised and sourced.<\/p>\n<p>The album has a voiced section (with various readings) and then the voiceless version of the music.<\/p>\n<p>Here is the full album, which uses what Max Richter refers to as a &#8220;negative orchestra&#8221; (&#8220;nearly all basses and cellos&#8221;).<\/p>\n<p>At some stages in the album you think you hear a deep rumbling &#8211; one of the deepest sound the human ear can hear I suspect &#8211; and it is a very stark background to the negative orchestra.<\/p>\n<p>The whole album is 56 minutes then repeats in voiceless mode.<\/p>\n<p>My favourite track is Mercy with the solo violin played by &#8211; <a href=\"https:\/\/en.wikipedia.org\/wiki\/Mari_Samuelsen\">Mari Samuelson<\/a>.<\/p>\n<p>Mercy begins at 48:51 and then at the end of the second version of the album.<\/p>\n<p>A breathtaking way to spend 10 hours driving a car I can tell you.<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_B9dGfYCo78\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<div style=\"clear:both;\"><\/div>\n<p>Here is a short video from Max Richter explaining the motivation of the album and its meaning.<\/p>\n<p>He always has a very sound and progressive intent behind his music.<\/p>\n<p>He commented on the album:<\/p>\n<blockquote><p>\nI like the idea of a piece of music as a place to think, and it is clear we all have some thinking to do at the moment. The Universal Declaration of Human Rights is something that offers us a way forward. Although it isn\u2019t a perfect document, the declaration does represent an inspiring vision for the possibility of better and kinder world.\n<\/p><\/blockquote>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/lF6No3T2ulY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<div style=\"clear:both;\"><\/div>\n<p>He goes further in this NPR interview (August 2, 2020) &#8211; <a href=\"https:\/\/www.npr.org\/2020\/08\/02\/898189952\/composer-max-richter-on-voices-a-new-album-that-envisions-a-better-world\">Composer Max Richter On &#8216;Voices,&#8217; A New Album That Envisions A Better World<\/a>.<\/p>\n<p>Here is a review of the album from British Gramophone &#8211; <a href=\"https:\/\/www.gramophone.co.uk\/review\/richter-voices\">Richter Voices<\/a>.<\/p>\n<p>That is enough for today!<\/p>\n<p>(c) Copyright 2021 William Mitchell. All Rights Reserved. \t\t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Covid situation in Australia has deteriorated in recent months after the conservative NSW government allowed it to spread (after a lax approach to quarantine &#8211; privatising the service). For the last 9 weeks or so I have been stuck in another state, away from home, and wondering when I could get back across the&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,40],"tags":[],"class_list":["post-48306","post","type-post","status-publish","format-standard","hentry","category-admin","category-music","entry","no-media"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/48306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48306"}],"version-history":[{"count":0,"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/48306\/revisions"}],"wp:attachment":[{"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=48306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=48306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}