{"id":37892,"date":"2018-01-24T09:58:43","date_gmt":"2018-01-23T23:58:43","guid":{"rendered":"https:\/\/billmitchell.org\/blog\/?p=37892"},"modified":"2018-01-24T09:58:43","modified_gmt":"2018-01-23T23:58:43","slug":"a-breakthrough-in-france-as-a-jazz-freedom-fighter-dies","status":"publish","type":"post","link":"https:\/\/billmitchell.org\/blog\/?p=37892","title":{"rendered":"A breakthrough in France as a Jazz Freedom Fighter dies"},"content":{"rendered":"<p>\t\t\t\tMy Wednesday commitment not to write a detailed blog remains. But given the sad news yesterday from South Africa I thought some nice music should be shared and some news from the French press. So not really a blog but some music to listen to while I work today.<br \/>\n<!--more--><\/p>\n<h2>MMT gets traction in the French press<\/h2>\n<p>There was an interesting article in the French press (January 19, 2018) &#8211; <a href=\"https:\/\/www.mediapart.fr\/journal\/france\/190118\/et-si-l-etat-creait-lui-meme-les-emplois-pour-combattre-le-chomage\">Et si l&#8217;Etat cr\u00e9ait lui-m\u00eame les emplois pour combattre le ch\u00f4mage?<\/a>.<\/p>\n<p>The title says &#8220;And if the state create jobs itself to combat unemployment?&#8221;.<\/p>\n<p>Romaric Godin, the journalist works for <a href=\"https:\/\/en.wikipedia.org\/wiki\/Mediapart\">Mediapart<\/a>, which is an independent news journal in France that has uncovered several scandals since its inception in 2008. The founder was the former editor-in-chief of Le Monde.<\/p>\n<p>Godin is an influential journalist in France.<\/p>\n<p>The original article is behind a paywall. Mediapart has no advertising and relies on small subscriptions.<\/p>\n<p>The article was republished (January 21, 2018) by On n&#8217;est pas des moutons (We are not sheep), which is the magazine produced by the supporters of <a href=\"https:\/\/en.wikipedia.org\/wiki\/La_France_Insoumise\">La France Insoumise<\/a>, the breakaway Left party which is forming into a true Oppositional Left to replace the void left by the neoliberal Socialist Party.<\/p>\n<p>There is no paywall here.<\/p>\n<p>The link is &#8211; <a href=\"https:\/\/fdg-info13.com\/2018\/01\/21\/et-si-letat-creait-lui-meme-les-emplois-pour-combattre-le-chomage\/\">Et si l&#8217;Etat cr\u00e9ait lui-m\u00eame les emplois pour combattre le ch\u00f4mage?<\/a>.<\/p>\n<p><em>On n&#8217;est pas des moutons<\/em>, reprises the statement from leader of the French Left party Insoumise, Jean-Luc M\u00e9lenchon (April 1, 2012) while he was speaking at an impoversished housing estate (La Grande Borne) which straddles the communes of Grigny and Viry-Ch\u00e2tillon, on the southern periphery of Paris.<\/p>\n<p>M\u00e9lenchon was reflecting on the very high abstention rate of the area in the 2007 Presidential elections and said:<\/p>\n<blockquote><p>\nSi vous faites les moutons, vous serez tondus &#8230; si vous ne faites pas de politique, la politique s&#8217;occupera de vous, vous pouvez en \u00eatre assur\u00e9s\n<\/p><\/blockquote>\n<p>&#8220;If you act like sheep, you will be shorn &#8230; if you do not participate in politics, then policy will take care of you, you can be assured&#8221;.<\/p>\n<p>And the care he was referring to was not of the beneficial variety!<\/p>\n<p>The point is that the article is a thorough and sympathetic treatment of Modern Monetary Theory (MMT) and the Job Guarantee, one of the first major expositions to appear in the mainstream French press.<\/p>\n<p>It discusses in depth our new book &#8211; <a href=\"https:\/\/www.plutobooks.com\/9780745337326\/reclaiming-the-state\/\">Reclaiming the State: A Progressive Vision of Sovereignty for a Post-Neoliberal World<\/a> (Pluto Books, 2017).<\/p>\n<p>This is some sort of breakthrough for MMT.<\/p>\n<p>The article is in French.<\/p>\n<h2>A Jazz Freedom Fighter dies<\/h2>\n<p>One of my favourite jazz musicians, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Hugh_Masekela\">Hugh Masekela<\/a> died yesterday (January 23, 2018) in Johannesburg.<\/p>\n<p>Music is a voice in struggle. And Hugh Masekela exemplified the way in which art can become a force for change. He was a powerful anti-Apartheid activist.<\/p>\n<p>He first played with Dollar Brand in the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jazz_Epistles\">Jazz Epistles<\/a> which formed in 1959.<\/p>\n<p>Here is the UK Guardian Obituary (January 23, 2018) &#8211; <a href=\"https:\/\/www.theguardian.com\/music\/2018\/jan\/23\/hugh-masekela-obituary\">Hugh Masekela obituary: South African jazz pioneer who fought the evil of apartheid<\/a>.<\/p>\n<p>And an interesting but short video biography of Hugh Masekela &#8211; <a href=\"https:\/\/www.youtube.com\/watch?time_continue=5&#038;v=pfuRvXxqB98\">Hugh Masekela: six decades of sounds from the father of South African jazz &#8211; video<\/a><\/p>\n<p>This song &#8211; <a href=\"https:\/\/en.wikipedia.org\/wiki\/Soweto_Blues\">Soweto Blues<\/a> &#8211; was written by Hugh Masekela (1977) &#8211; and was at the forefront of the Anti-Apartheid movement. It is sung by his former wife Miriam Makeba.<\/p>\n<p>It was live from Wembley Stadium, London and the concert was in 1988, before the breakdown of the Apartheid system. The concert was to mark Nelson Mandela&#8217;s 70th birthday and it was broadcast to 67 countries.<\/p>\n<p>The song was a mourning of the deaths of up to 700 school children that police murdered while the children were protesting against Apartheid at the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Soweto_uprising\">Soweto Uprising<\/a> on June 16, 1976.<\/p>\n<p>Over a thousand people were wounded when the police set their automatic rifles to work.<\/p>\n<p>The massacre was a turning point in the struggle. But it still took another 14 years for the hideous system of oppression to be eliminated.<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7kHtWuVwZSs\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<div style=\"clear:both;\"><\/div>\n<p>Here are the lyrics &#8211; if you remember the incident they will remind of that awful day in history:<\/p>\n<blockquote><p>\nThe children got a letter from the master<br \/>\nIt said: no more Xhosa, Sotho, no more Zulu.<br \/>\nRefusing to comply they sent an answer<br \/>\nThat&#8217;s when the policemen came to the rescue<br \/>\nChildren were flying bullets dying<br \/>\nThe mothers screaming and crying<br \/>\nThe fathers were working in the cities<br \/>\nThe evening news brought out all the publicity:<\/p>\n<p>Just a little atrocity, deep in the city<\/p>\n<p>Soweto blues<br \/>\nSoweto blues<br \/>\nSoweto blues<br \/>\nSoweto blues<\/p>\n<p>Benikuphi ma madoda (where were the men)<br \/>\nAbantwana beshaywa (when the children were throwing stones)<br \/>\nNgezimbokodo Mabedubula abantwana (when the children were being shot)<br \/>\nBenikhupi na (where were you?)<\/p>\n<p>There was a full moon on the golden city<br \/>\nLooking at the door was the man without pity<br \/>\nAccusing everyone of conspiracy<br \/>\nTightening the curfew charging people with walking<br \/>\nYes, the border is where he was awaiting<br \/>\nWaiting for the children, frightened and running<br \/>\nA handful got away but all the others<br \/>\nHurried their chain without any publicity<\/p>\n<p>Just a little atrocity, deep in the city<\/p>\n<p>Soweto blues<br \/>\nSoweto blues<br \/>\nSoweto blues<br \/>\nSoweto blues<\/p>\n<p>Benikuphi ma madoda (where were the men)<br \/>\nAbantwana beshaywa (when the children were throwing stones)<br \/>\nNgezimbokodo Mabedubula abantwana (when the children were being shot)<br \/>\nBenikhupi na (where were you?)<\/p>\n<p>Soweto blues<br \/>\nSoweto blues<br \/>\nSoweto blues &#8211; abu yethu a mama<br \/>\nSoweto blues &#8211; they are killing all the children<br \/>\nSoweto blues &#8211; without any publicity<br \/>\nSoweto blues &#8211; oh, they are finishing the nation<br \/>\nSoweto blues &#8211; while calling it black on black<br \/>\nSoweto blues &#8211; but everybody knows they are behind it<br \/>\nSoweto Blues &#8211; without any publicity<br \/>\nSoweto blues &#8211; they are finishing the nation<br \/>\nSoweto blues &#8211; god, somebody, help!<br \/>\nSoweto blues &#8211; (abu yethu a mama)<br \/>\nSoweto blues\n<\/p><\/blockquote>\n<p>As an aside, when <a href=\"https:\/\/en.wikipedia.org\/wiki\/Miriam_Makeba\">Miriam Makeba<\/a>, who was exiled from South Africa and living in the US, married a Black activist there in 1968, the &#8220;White American audiences stopped supporting her&#8221; and the CIA started hounding her.<\/p>\n<p>They eventually cancelled her visa and she moved to Guinea and was a supporter of the first President of Guinea <a href=\"https:\/\/en.wikipedia.org\/wiki\/Ahmed_S%C3%A9kou_Tour%C3%A9\">Ahmed S\u00e9kou Tour\u00e9<\/a> after that nation broke free from its French colonial yoke.<\/p>\n<p>The UK Guardian article (May 16, 2008) &#8211; <a href=\"https:\/\/www.theguardian.com\/music\/2008\/may\/16\/worldmusic.jazz\">The long goodbye<\/a> &#8211; tells us that:<\/p>\n<blockquote><p>\nPresident S\u00e9kou Tour\u00e9 was determined to create a new African style by using Western instruments to modernise traditional songs. To promote his policy of authenticit\u00e9, musicians were given a regular wage, like civil servants, &#8220;so their job was to rehearse every day from nine until three&#8221;. Makeba joined in, working alongside local stars like Bembeya Jazz, &#8220;and when the President&#8217;s visitors came to Guinea, we were all called on to go and entertain them. I&#8217;ve never seen a country that did what S\u00e9kou Tour\u00e9 did for artists.&#8221;\n<\/p><\/blockquote>\n<p>This was a sort of Job Guarantee program where artists were paid the mininum wage but were required as part of that commitment from the state to reciprocate with meaningful work.<\/p>\n<p>If you are familiar with authenticit\u00e9 (which was widely practiced in Africa as the colonies tried to remove the foreign influence from their affairs and elevate their own cultures, which had been suppressed during the colonial years), then you will know how many great musicians emerged from that process.<\/p>\n<p>In Guinea&#8217;s case, it would have been better had it not been accompanied by Tour\u00e9&#8217;s repression of his political opposition.<\/p>\n<p><a href=\"https:\/\/billmitchell.org\/blog\/wp-content\/uploads\/2018\/01\/Hugh_Masekela_Border.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/billmitchell.org\/blog\/wp-content\/uploads\/2018\/01\/Hugh_Masekela_Border.png\" alt=\"\" width=\"567\" height=\"129\" class=\"alignnone size-full wp-image-37893\" \/><\/a><\/p>\n<div style=\"clear:both;\"><\/div>\n<p>And here is my favourite Hugh Masekela Album &#8211; <a href=\"https:\/\/en.wikipedia.org\/wiki\/Tomorrow_(Hugh_Masekela_album)\">Tomorrow<\/a> &#8211; which was released in 1987 (recorded in London in 1986).<\/p>\n<p>If you can get hold of it, it is one of his best.<\/p>\n<p>The title of the Album was embedded in the first song <em>Bring Him Back Home<\/em>:<\/p>\n<blockquote><p>\nBring back Nelson Mandela<br \/>\nBring him back home to Soweto<br \/>\nI want to see him walking down the streets of South Africa, Tomorrow!\n<\/p><\/blockquote>\n<p>Here is a link to the full album &#8211; <a href=\"https:\/\/www.youtube.com\/playlist?list=PLYa84zSxTXm9sEEKZJHiM7qHB66--jO2j\">Tomorrow<\/a>, although the final track on this list was not on the original release.<\/p>\n<p>Here is the first track &#8211; Bring Him Back Home:<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3l9MqhTEp7s\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<div style=\"clear:both;\"><\/div>\n<h2>Upcoming event &#8211; Melbourne, February 16, 2018<\/h2>\n<p>I will be talking about our latest book &#8211; <a href=\"https:\/\/www.plutobooks.com\/9780745337326\/reclaiming-the-state\/\">Reclaiming the State: A Progressive Vision of Sovereignty for a Post-Neoliberal World<\/a> (Pluto Books, 2017) &#8211; in Melbourne on February 16, 2018.<\/p>\n<p>More details:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.facebook.com\/events\/146321839410656\/\">Facebook<\/a><\/li>\n<li><a href=\"https:\/\/newinternationalbookshop.org.au\/2018\/01\/23\/book-talk-bill-mitchell-on-reclaiming-the-state\/\">New International Bookshop<\/a><\/li>\n<\/ul>\n<p>Here is the flyer. The Bookshop tells me that they are happy for this to be circulated widely.<\/p>\n<p><a href=\"https:\/\/billmitchell.org\/blog\/wp-content\/uploads\/2018\/01\/RTS_Talk_NIBS_Melbourne_February_16_2018.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/billmitchell.org\/blog\/wp-content\/uploads\/2018\/01\/RTS_Talk_NIBS_Melbourne_February_16_2018.jpg\" alt=\"\" width=\"700\" height=\"990\" class=\"alignnone size-full wp-image-37897\" \/><\/a><\/p>\n<div style=\"clear:both;\"><\/div>\n<h2>Upcoming event &#8211; Helsinki, February 27, 2018<\/h2>\n<p>I will be giving 6 lectures on Modern Monetary Theory (MMT) at the University of Helsinki in late February and early March as part of a new international studies program.<\/p>\n<p>The first lecture will be a public event and will be held on Tuesday, February 27, 2018.<\/p>\n<p>I will circulate more details soon.<\/p>\n<p>If you are around or close by then it would be great to see you at the event.<\/p>\n<h2>Upcoming events &#8211; Barcelona, March 2-3, 2018<\/h2>\n<p>I will speaking at some events in Barcelona in early March on Reclaiming the State and its implications. My co-author, Thomas Fazi will also be appearing.<\/p>\n<p>The events are being organised by the Catalonian-based <a href=\"http:\/\/www.ekona.cc\/\">Ekona coop<\/a>, which aims to promote innovation in the public and community sphere to move towards a new democracy. It is particularly focused in influencing the European Left to abandon their neoliberal ideas about economics.<\/p>\n<p>I will circulate more details soon.<\/p>\n<p>You see, that was not really a blog was it?<\/p>\n<p>That is enough for today!<\/p>\n<p>(c) Copyright 2018 William Mitchell. All Rights Reserved. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>My Wednesday commitment not to write a detailed blog remains. But given the sad news yesterday from South Africa I thought some nice music should be shared and some news from the French press. So not really a blog but some music to listen to while I work today.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,40,46],"tags":[],"class_list":["post-37892","post","type-post","status-publish","format-standard","hentry","category-admin","category-music","category-reclaim-the-state","entry","no-media"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/37892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37892"}],"version-history":[{"count":0,"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/37892\/revisions"}],"wp:attachment":[{"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=37892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/billmitchell.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=37892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}